February72011
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uncertaintimes:

Artist unknown, The Cobbe Portrait of William Shakespeare, ca. 1610
The Changing Face of William Shakespeare
In 2009, when the Shakespeare Birthplace Trust in Stratford-upon-Avon unveiled a previously unknown portrait painting with strong claims to be the only surviving life-time portrait of William Shakespeare, it created an international sensation. The Jacobean painting had hung unrecognized for centuries in an Irish country house belonging to the Cobbe family. Both this portrait and a recently identified portrait of Shakespeare’s patron and dedicatee, Henry Wriothesley, 3rd Earl of Southampton, were inherited by Archbishop Charles Cobbe (1686-1765). Recent technical analysis—as well as the portrait’s superior quality—has established it as the original of a long series of portraits traditionally identified as Shakespeare. The Cobbe portrait has significant resemblances in costume and design to Martin Droeshout’s engraving of Shakespeare published in the First Folio (1623), and bears a Latin inscription, taken from a poem by Horace, addressed to a playwright.
via Medieval Material Culture Blog
Cobbe portrait

uncertaintimes:

Artist unknown, The Cobbe Portrait of William Shakespeare, ca. 1610

The Changing Face of William Shakespeare

In 2009, when the Shakespeare Birthplace Trust in Stratford-upon-Avon unveiled a previously unknown portrait painting with strong claims to be the only surviving life-time portrait of William Shakespeare, it created an international sensation. The Jacobean painting had hung unrecognized for centuries in an Irish country house belonging to the Cobbe family. Both this portrait and a recently identified portrait of Shakespeare’s patron and dedicatee, Henry Wriothesley, 3rd Earl of Southampton, were inherited by Archbishop Charles Cobbe (1686-1765). Recent technical analysis—as well as the portrait’s superior quality—has established it as the original of a long series of portraits traditionally identified as Shakespeare. The Cobbe portrait has significant resemblances in costume and design to Martin Droeshout’s engraving of Shakespeare published in the First Folio (1623), and bears a Latin inscription, taken from a poem by Horace, addressed to a playwright.

via Medieval Material Culture Blog

Cobbe portrait

11AM
liquidnight:

Laurie Lipton
Empress of Death
[via Creep Machine]

liquidnight:

Laurie Lipton

Empress of Death

[via Creep Machine]

11AM
August252010
firsthalfofroger:panicman | gigglemonster | (via utterlyobsessed)
Generator First Floor - Tiny Whales
Clearly it’s a slow motion montage, chipper and blood spattered.  Yeah.  I’m digging it.

firsthalfofroger:panicman | gigglemonster | (via utterlyobsessed)

Generator First Floor - Tiny Whales

Clearly it’s a slow motion montage, chipper and blood spattered.  Yeah.  I’m digging it.

August222010
August182010
July302010
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July292010